Gig review

Alan Brown Trio + guest

While some of us didn’t make it to the Wellington Jazz Festival, we had no need to cry into our beer. What Auckland had on offer was the Alan Brown Trio, returning to the Creative Jazz Club after a long hiatus, and in very good form. I have long thought that an organ trio is the best dish to serve up on a wet winter’s night. This trio proved the pudding with its down-home goodness, tasty grooves, and with all the trimmings. While Brown is across many genres, this is the one most music lovers associate him with. Read more

Emerging Artists gig – Exploding Rainbow Orchestra – Equitable Grooves

I always look forward to emerging artists nights at the CJC. They don’t happen often but when they do, they’re fun, full of surprise and most importantly they are hopeful events. It is usual for emerging artists to salt the mine with seasoned players. Both of the bands did well in that regard. The first band up was Misha Kourkov’s ‘Equitable Grooves’, a six-piece unit playing multi-genre Jazz focused music. The material was well written and at times ambitious. Aiming high on the bandstand is good because that is where real learning occurs. Read more

DOG meets KOOPMAN

There is never a guarantee that two good acts blended into one will work. This one did. DOG and the various iterations of the Peter Koopman trio are each in their way self-contained; exuding a confidence born out of time spent with familiar musicians. Bands that play together over long periods anticipate and react instinctively. Stepping outside of that circle can be a risk, but that is a large part of what improvised music is about. DOG are a tight unit with quick-fire lines and nimble moves. Read more

Andy Sugg on tour

Australia produces some distinctive, muscular tenor players and Andy Sugg is an example of that phenomena. The first thing that grabs a listener is an awareness of the raw power that fills a room when he blows. I am not just referring to volume or his fat rounded sound, but to the way he communicates an innate sense of musical purpose. This comes across as something beyond mere confidence. Read more

Kevin Field @ Thirsty Dog

It was appropriate that Warners ‘A List’ recording artist Kevin Field brought with him local A listers Dixon Nacey, Cam McArthur, Roger Manins and Stephen Thomas. Field has a substantial following in New Zealand and his innovative music attracts musicians and fans alike. Since his last ‘A List’ gig he’d clearly been busy " writing new material and rendering the familiar into something altogether different. Zoot Sims once quipped, “Jazz is a music where you never play the same thing once’. Field certainly exemplifies that tongue in cheek descriptor. Read more

Marc Osterer (NY/Austria)

Improvised music is a never-ending contest between the familiar and the unexpected. Everything is valid on the journey, but sometimes we forget that tradition can be a springboard and not a straightjacket. We had a good example of that on Wednesday. Because he lives far from here, few if any locals had previously encountered Marc Osterer, but few who heard him will forget his exuberant CJC gig. Born in New York, Osterer has led an interesting musical life. Broadway Shows, New York clubs, principal trumpet (Mexico City Philharmonic) and the Salzburg Festival Austria. Read more

Jasmine Lovell Smith – ‘Yellow Red Blue’

After years traveling the wider Jazz world, Jasmine Lovell-Smith came home; launching her latest album ‘Yellow Red Blue’ at the CJC last Wednesday. The Album features a quintet ‘Towering Poppies’; a group she formed in New York over five years ago. Her New Zealand gig featured locals Roger Manins, Kevin Field, Eamon Edmundson-Wells and Chris O’Connor. After her New York release she garnered a number of favourable reviews and no wonder. This is a lovely album, her compositions and arrangements outstanding, the recording immaculate. Read more

Andy Watts Quartet

I missed the earlier Jazz gigs at the Backbeat Bar and was pleasantly surprised by the venue. A steep staircase rises directly from the busy pavement, ascending sharply until you find yourself in a pleasant oblong room; bar on one side, soft lighting and a surprisingly generous stage at the far end. This was a temporary venue but a good one. Since losing the atmospheric but sonically challenging Britomart basement, the CJC has become peripatetic. It currently has a number of homes and pleasingly, the audience seems happy to follow. Importantly, this particular venue has good acoustics. Read more

Michal Martyniuk – Lewis Eady Concert

The Lewis Eady special concert featuring the Michal Martyniuk trio lived up to its promise. It’s not often I get to hear Martyniuk and more’s the pity because his playing resonates strongly with me. He attended the Auckland University Jazz School, but he doesn’t sound like his contemporaries as he brings his Polish origins to the keyboard. His is the approach of Wasilewsky and other modern young Polish improvisers. Rhythmically adventurous, melodically rich and with harmonies often referencing the twentieth century European classical composers. Read more

Neil Watson gig / Crystal Choi gig

Tubular Live: Having earlier reviewed the long anticipated Neil Watson ‘Tubular’ album I looked forward to the live launch. The Thirsty Dog gig was well attended, the audience extremely enthusiastic and no wonder. Although we saw a slightly different line up from the album band, they were on fire from the first note. Watson, always a confident performer, was more in command than I have ever seen him and he communicated his musical vision effortlessly. Read more

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